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President: Fiona Woolf CBE

Chairman: Duncan Orr

 
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Last Updated: 20/9/14
 

 

♫DISCOVER THE THRILL OF SINGING OPERA♫

Download a pdf of details of what is involved and how to apply.


 

NEXT OPERA

Saturday 8th November 2014
at Cadogan Hall

Cristina, regina di Svezia

by

Jacopo Foroni
(1825-1858)

Concert performance sung in Italian with English surtitles.

(UK Première)

 

Cristina, regina di Svezia was the hit of the 2013 Wexford Festival and the winner of the 2014 International Opera Award for Rediscovered Work. Foroni moved to Stockholm from Italy to further his operatic career but died in 1858 during the cholera epidemic at the age of only 34. The conductor will be Andrew Greenwood, who conducted in Wexford. Helena Dix, who scored a huge personal triumph when she appeared in the Wexford performances, will sing the title role. More...

There will be a pre-performance talk in the hall at 5.45 pm, to be given by Anders Wiklund. This is free for ticket holders.

Tickets are now on sale for the forthcoming season and can be booked via these links:
Cristina, regina di Svezia: Cadogan Hall
Le roi de Lahore: Queen Elizabeth Hall
Ernani: Queen Elizabeth Hall

'The Chelsea Opera Group holds a unique place in the history of British opera. ....' (&London magazine). Read the full article (pdf)which appeared in the Spring 2014 issue of &London magazine produced by Sunday Publishing for UK property partnership Strutt and Parker.

‘Chelsea Opera Group’s three concert performances a year are among London’s most joyful operatic events.’ Richard Nicholson  at Classical Source

"As for Elizabeth Woods, it is hard to provide a technical commentary to her nigh-on-perfect performance." (Mariana Romani reviewing Simon Boccanegra at MusicalCriticism.com). See Elizabeth Woods in Come in quest`ora bruna.

"Opera simply does not come much better than this: the Chelsea Opera Group’s concert performance of Verdi’s Macbeth was an unqualified triumph." (Evan Dickerson at Seen and Heard)

‘A great work superbly done. The conductor was Richard Bonynge...There was fine playing and choral singing.’ Tim Ashley in The Guardian  reviewing COG’s performance of Donizetti’s Belisario.

For forthcoming performances see Future Plans

For booking information see Box Office page

For links to complete reviews of recent performances see Reviews.

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